NMEC Holds Dialogue Entitled “Art and Civilization with the Great Artist Hussein Fahmy”

The National Museum of Egyptian Civilization in Fustat (NMEC) held an open dialogue called "Art and Civilization" with the renowned artist Hussein Fahmy, who is also the President of the Cairo International Film Festival. The event was organized as part of the National Bank of Egypt's cultural and artistic programs aimed at promoting and reviving the Egyptian heritage and civilization. The dialogue was attended by public figures, foreign ambassadors, artists, art enthusiasts, critics, writers, and filmmakers.

Dr. Ahmed Ghoneim, CEO of the Museum Authority, welcomed the guests with a speech that highlighted the role of art as a cultural tool that promotes societal advancement and shapes its values and customs. He also emphasized how the ancient Egyptian civilization has been a source of inspiration for filmmakers in Egypt and around the world, helping to spread its legacy worldwide. Ghoneim presented a gift to Hussein Fahmy and expressed his pride in presenting some artistic works that showcased the ancient Egyptian civilization, including the film "The Search for Tutankhamun."

The event started with a documentary film screening about the history and achievements of the artist, Hussein Fahmy. It was followed by an open dialogue and an extensive symposium on art and civilization between the artist and the attendees.

During the dialogue, Fahmy shared his rich artistic experience in cinema, theater, and television. He talked about the role of art and cinema in promoting Egyptian archaeological sites and museums. He also discussed his participation in the promotional film for the procession of royal mummies and how the ancient Egyptian civilization has always been a source of inspiration for Egyptian and international filmmakers.

Fahmy also commented on the recent decision to postpone the 45th session of the festival in solidarity with the Palestinian people. He expressed his pride in his famous film "The Bullet is Still in My Pocket," pointing out that the filming that took place on Bar Lev's line was real and dates back to that important stage.